10/10/ · Sharing is a divine virtue, a “Sharing is caring essay” is given for all levels for their inspiration and love. The greatest art of living happily and peacefully is caring others and share ones belonging with others without any hesitation and worry. Caring is a divine property, It is said that Almighty Allah cares a person more than a 70 blogger.comted Reading Time: 3 mins Our cheap essay writing service tries Sharing A Flat Essay to always be at its best performance level, Sharing A Flat Essay so each customer who pays money for paper writing can be sure that he or she will get what is wanted. On the off chance that you don’t Sharing A Flat Essay like your order, you can request a refund and we will return the money according to our money-back /10() Sharing is cultivating a mutual relationship; both the one who gives and the one who receives shares but only in different ways. As individuals, learning how to share also means learning how to more efficient members of a community. Sharing happens in different levels
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You can change your ad preferences anytime. Essay for Sharing is Caring - Eva Van Passel. Upcoming SlideShare. Like this document? Why not share! Embed Size px. Start on. Show related SlideShares at end. WordPress Shortcode. Like Liked. Full Name Comment goes here. Are you sure you want to Yes No. Be the first to like this. No Downloads. Views Total views. Actions Shares, essay sharing. No notes for slide. Essay for Sharing is Caring - Eva Van Passel 1. A philosophy of cultural commons for the cultural heritage sector.
The essay has been essay sharing somewhat, mainly to enable it to be read outside of the direct context of the seminar. The reader is advised to keep in mind that the talk essay sharing essay is based on addressed the cultural sector as its main audience. As such, the essay is not intended to be an academic research article. However, references to more detailed academic accounts of some of the essay sharing discussed have been included, and essay sharing author can be contacted at eva.
passel vub. Introduction Cultural heritage institutions are redefining their roles in a context of digital access to culture. A key question many institutions in the GLAM sector are dealing with is: how can we, as a essay sharing sector, get involved in this all, and do this in a meaningful manner?
Essay sharing this essay, I do not wish to expand on this context further, though I have done so in previous articles. My first encounters with arts and heritage institutions were all within Flanders Belgium. My focus was never on the technical or the legal copyright aspects, but on the strategic and policy challenges that these evolutions create for essay sharing and the people working within them.
From that Flemish context, I then moved essay sharing to a wider European context. This paragraph is not merely intended as a biographical note, but as a sketch of the context in which my views on the challenges facing the sector have taken shape. The first section of this essay will elaborate further on these essay sharing experiences.
During one of the early meetings, essay sharing, the project manager in fact pointed out that all the institutions that had joined essay sharing project had fully committed to open data. All institutions present at the meeting had indeed signed up to the project and as such to the principle of making content and metadata available through Europeana. However, when they were being confronted with the implications in practice, it turned out some of them were suddenly starting to reconsider this commitment to open data, and to think carefully about what they wanted to share, essay sharing.
I am glad to say that Europeana was always available to listen to our concerns, and by means of their recent publishing framework, they are offering a lot of flexibility and guidance when it comes to different licensing options to share collection items, essay sharing. In many cases, they were very positive towards the idea, but they were simply not ready to do so to the extent that the license required.
However, over the years it has grown to the extent that it has surpassed fiction and has become a veritable archive. In a sense, he is therefore confronted with less risk — due to the lack of accountability — as well as more risk — due to the lack of protective exceptions. There is no easy way to even start doing a diligent search for rights holders of reels of films you find essay sharing flea markets, so there is still some risk attached to using the footage.
As these essay sharing orphan works and he is not actually the rightsholder, essay sharing, this entails a certain level of risk. For cultural institutions, lessons can perhaps be learned on attitudes to risk. It is not a risk free approach, but I believe it to be a low risk strategy. It might be an interesting thought exercise to just consider what is possible at a low risk level. Another lesson to be learned is that, as can be noted from the example of archive. org, Essay sharing interacts with existing external platforms.
This is definitely something that even a portal the size of Europeana has started to focus on more and more over the years, and it is worth repeating. Finally, essay sharing, on his own website, Jasper also wanted to create mechanisms for creative reuse of the footage. His idea was to set up a section on the website where users could adopt memories, interact with them, base new works on them, and truly make them their own. So IICADOM is not only about allowing creative reuse, via downloads on archive.
org, but also about fostering and encouraging it. Towards a philosophy of cultural commons In the previous section of this essay, I explained some of my research findings from the last few years, and the perspectives I gained on what is going on in the sector.
This is not just for the sake of talking about the research, but it illustrates, in my view, why we might need more of a framework to deal with all of these challenges, this philosophy of cultural commons. My main feeling is that there are so many ad hoc challenges crossing the path of cultural institutions, essay sharing. There has to be a better way. To stress this point even further, I would like to show this wonderful chart made by Andrea Wallace, who works at CREATe Research Centre in the UK.
It shows a number of essay sharing in the UK each row is one institutionand what they allow, or do not allow, their visitors or users to do, both during a visit or with content they might find on the website each column is something which essay sharing might like to do. It immediately and very visually shows that institutions often take different approaches to opening up. She used this chart in a recent presentation on surrogate rights many institutions create for themselves, when they decide to make available works that are in the public domain, essay sharing.
In my view, this idea of surrogate rights illustrates very well why we might want to consider a wider framework for sharing and opening up, and why cultural commons may be such a useful approach, essay sharing. We are by no means the first to consider cultural commons as an option for the cultural heritage sector. We wanted to further our thoughts on the approach, with the 5, essay sharing.
Users should therefore have the right to sustainable access to these valuable assets — now as well as in the future — and the offer needs to be varied and essay sharing. The latter, inclusiveness, in the context of this essay certainly implies that focusing only on public domain content is not enough. Openness and opening up is really not only a principle in itself, essay sharing, but also a way to make sure the other essay sharing principles are supported, essay sharing.
Madison and his colleagues break the approach of constructed cultural commons down into some key factors. In my talk at Sharing is Caring, and also in this essay, I tried to steer away form a heavily theoretical approach. A crucial thing to point out is that the model was built as a framework to analyse cultural commons, but that we tried to look essay sharing the cultural commons framework not only as a tool for research, but also as an underlying philosophy for cultural policy and governance.
In looking at cultural commons, Madison et al. What we tried to do is look at these factors as key points that the cultural sector, essay sharing, even on an institutional level, can think about to build a cultural commons, essay sharing. Again, the paper we wrote does this in a lot more detail and with a lot more references than I want to burden you with in this essay.
First, it might be fruitful to simply take a moment to consider what our resources are, and who our community is, essay sharing. Who are your users, what are their expectations, and essay sharing can you offer them in terms of cultural resources?
The goals and objectives then, in a simplified and general manner, essay sharing, might simply be to give access to culture to as many people as possible. In an age of re users and makers, this should include to be as open as possible, including towards reuse and remix practices.
How open this is, however, might change depending on specific user communities, essay sharing, and it can also be different depending on the content being shared. This is where the model really shines: it allows and expects different degrees of openness. An approach like this is very much present in a tool such as the Creative Commons licenses, which you can really pick and choose from with the goal of being more or less open.
These degrees of openness are part of the reason why cultural commons need governance. This is not only to be understood in a restrictive way, as in rules that tell us who can do what, but especially also in terms of guidance, in terms of making sure the community understands what they can do with the resources made available to them.
The first point is, please beware of the black hole of the 20th century. Public domain stuff is the easiest essay sharing, at least from a licensing point of view. If you know of a 20th century artist with a very approachable estate, essay sharing, I would encourage you to approach them. So, simply put, open up what you can, as soon as you can, to the audiences you can open it up to, as openly as you can.
Just like Michael, I would encourage institutions not to be too daunted or put off by the fact that they cannot fully dedicate everything to the public domain. Look at what is possible, and open up in a layered manner, bit by bit. It is far better than simply doing nothing. In the anthology that was published after previous Sharing is Caring seminars, Jill Cousins wrote about building a commons for digital cultural heritage.
I would like to believe that it is possible to move towards such a model, and I hope this essay has encouraged the reader to think about what this may mean. Everything that is made and created from our commons can become part of the commons as well.
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27/10/ · Sharing is first principle of love. If, you want to give someone happiness and want to show your affection. Then sharing of your bits and bobs will be a practical and authentic idea. Happiness of sharing in visual you can see on the face of a mother after feeding her kids and caring her blogger.comted Reading Time: 2 mins Sharing is cultivating a mutual relationship; both the one who gives and the one who receives shares but only in different ways. As individuals, learning how to share also means learning how to more efficient members of a community. Sharing happens in different levels 13/5/ · Michael waste sharing essay on values of and caring was the written examination. In part, this requires praise and encouragement in all these other young women s desires. Indirect instruction would be in english, in contrast. Of those who need extra support to colleges and james j. F. Forest is a noteworthy observation that in some way. Html
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